Netflix’s latest drama is capturing viewers’ attention with its vibrant portrayal of the manosphere, powerful performances—particularly by newcomer Owen Cooper—and its remarkable single takes. However, it is the subtleties, like shifts in temperature during heated discussions and the poignant contrasts between joy and underlying pain, that create a striking depiction of masculinity in crisis, according to Angie Han.
Tony Gilroy’s ambitious four-part series on Disney+, airing alongside “Rogue One,” delves into the complexities of unifying disparate factions within the aftermath of authoritarian rule. The second season exemplifies how to make intellectual property feel both fresh and vital, as noted by Daniel Fienberg.
In a satirical take on the pharmaceutical industry, the animated Adult Swim series by Joseph Bennett and Steve Hely combines elements of suspense, paranoia, and surreal stoner humor, all supported by an exceptional voice cast including David King, Emily Pendergast, and Mike Judge. This unique blend provides both shock and laughter in equal measure, remarks D.F.
Despite Emmy voters potentially overlooking his performance, Zahn McClarnon’s portrayal in the third season of AMC’s adaptation of Tony Hillerman’s “Leaphorn & Chee” mystery series stands out as one of the most impressive leads on television. The addition of hallucinatory elements and Jenna Elfman further enhances this contribution to the current Golden Age of Airport Novel Adaptations, D.F. observes.
HBO’s six-episode continuation of its essential civil rights docuseries spans from 1977 to 2015, addressing topics from affirmative action to environmental justice, including pivotal events like the Million Man March. While the series is commendable, D.F. criticizes HBO for insufficient promotion, especially as existing progress is under threat.
Labeling this Arctic-set Netflix comedy as “warm” might be a cliché, but its heartwarming narrative is precisely what audiences need during challenging times. With standout performances led by Anna Lambe, the series feels reminiscent of “Northern Exposure” and “Schitt’s Creek,” yet remains completely original, D.F. states.
The late Paul Reubens, famously known for his alter ego Pee-wee Herman, is explored in Matt Wolf’s documentary that seeks to understand the man who often hid behind his character. The film reveals both what Reubens is willing to disclose and what he keeps guarded, according to Angie Han.
Though the Max medical drama does not introduce groundbreaking concepts, creator R. Scott Gemmill effectively executes familiar themes with a level of skill that is both thrilling and reassuring. Noah Wyle leads a talented ensemble, conveying the series’ sense of decency alongside frustration over a flawed system, A.H. highlights.
Nathan Fielder’s follow-up to his acclaimed HBO series pushes the boundaries even further, combining elements of comedy, documentary, and social experiment in an absurd journey aimed at mitigating aviation disasters. This season’s unexpected relevance adds an intriguing layer, says A.H.
Seth Rogen’s Apple TV+ comedy takes a fresh approach to the genre of industry satire, poking fun at the typical targets of corporate greed and erratic directors. By immersing viewers in the chaotic environment of Continental Studios, the show delivers a series of hilariously awkward situations, A.H. concludes.